Black and Latino

This mini-documentary, assigned in the Mixed Race Experiences course at Arizona State University, speaks to being mixed Black/Latino in America.  Actors, singers, and journalists share their story on topics of language, skin tone, hair, and familial pressures (i.e. Laz Alonso, Tatyana Ali, Gina Torres, Judy Reyes, Christina Milian, Soledad O’Brien and more).  They also speak about difficulties they have had in being cast due to their mixed heritage.

Black and Latino

http://www.mun2.tv/watch/shorts/black-and-latino

 


Many Wonderful Quotes to Ponder: Coming Out as Biracial

From medium.com/human-parts/c25d6ae8f2af

From medium.com/human-parts/c25d6ae8f2af

We’re very moved by this new blogpost written by Stephanie Georgopulos (Twitter handle: @omgstephlol)

Some quotes to pique your interest in clicking the link below and joining the conversation:

“Even with my white skin, I didn’t know the white experience entirely. I didn’t know it because when people use that poisonous n-word, I instantly think of my mother—and how people have used that word to hurt her simply for lack of time and effort. I think about the things my parents sacrificed to be together, things bigger than letters can spell…When #shitblackmomssay trended on Twitter, I laughed. I was on the inside of something, for once.

“[Being biracial is] witnessing one of the most exciting conversations about race since the civil rights movement, and wondering whether you’re the white voice that should shut up and listen, or the black voice that should speak out, or the mixed voice that should ???.”

Click here for the rest of this insightful post: https://medium.com/human-parts/c25d6ae8f2af

From medium.com/human-parts/c25d6ae8f2af

Aaron Samuels: Yarmulkes & Fitted Caps

from amazon.com

from amazon.com

Aaron is another performer that we got to meet at the 2012 Mixed Roots Film & Literary Festival. His spoken word piece left the audience mesmerized. We are certain that this collection of poetry will have the same powerful impact on you.

From the Amazon website: Aaron Samuels, raised in Providence, Rhode Island by a Jewish mother and a Black father, is a Cave Canem Fellow and a nationally acclaimed performer. In this ground-breaking collection of poems, Samuels examines the beauty and contradictions of his own mixed identity with gut-wrenching narratives, humor, and passionate verve.

Here’s the Amazon link to purchase the book: http://www.amazon.com/Yarmulkes-Fitted-Caps-Aaron-Samuels/dp/1938912381


3rd Annual What Are You?

The Brooklyn Historical Society will be hosting the 3rd Annual What Are You? – A Discussion About Mixed Heritage event Saturday, November 9, 2013 at 2:00pm.

This year they will be discussing questions like: “How do we perform and display our identities? How does media, film, art, humor and photography shape and mediate mixed-race identity?”

Check out their great panel (including Toasted Marshmallows which we have featured on HERE‎). They will even have a special dance performance.

http://cbbg.brooklynhistory.org/blog/3rd-annual-what-are-you-discussion-about-mixed-heritage

This event is FREE! If you are on the East Coast…this is an event worth attending! It will be held at:

Great Hall, Brooklyn Historical Society
128 Pierrepont Street
Brooklyn, NY 11201


Sister, Sister!

Tia & Tamera, from the 90s TV show Sister, Sister have a blog that “is an online community…that focuses on family, motherhood, health, beauty and style.”

http://tiaandtameraofficial.com/

Tamera often posts and shares her life story by posting updates about her husband and son.  Tamara is in an interracial marriage and has a mixed race son

Check out her recent family photos!



New Book for Grandmothers with Multiracial Families

Grandmothering: Real Life in Real Families is a new book by Becky Sarah (Child Development Specialist, midwife and childbirth educator, Public Health Director for the City of Chelsea, MA and, most importantly, Grandmother).  The book offers practical advice to women whose grandchildren’s worlds are very different from the ones they themselves grew up in. The section on Multiracial Families includes references to Loving v. Virginia, the one-drop rule, and why stating that you’re “Colorblind” is not helpful to young children (or anyone, for that matter). Mixed Roots Stories is also very proud to be included as a resource. Take a moment to read the synopsis and reviews on Amazon, and if you enjoy it as much as we do – add it to your collection and to your gift-giving list. http://www.amazon.com/Grandmothering-Real-Life-Families/dp/0989791807/ref=sr_1_1?ie=UTF8&qid=1381004049&sr=8-1&keywords=grandmothering



August Wilson Monologue Competition – DEADLINE IS NEAR!!

This is a wonderful opportunity for high school aged storytellers (grades 10, 11, 12) in LA/Ventura/Orange/San Bernardino Counties. Students of all backgrounds and abilities are invited to apply – but the deadline is MONDAY, OCTOBER 7, 2013! Break a leg!

Click here for application materials: http://www.centertheatregroup.org/augustwilson?utm_source=mail2&utm_medium=email&utm_campaign=EmailSBOpeningNightPhotos


United States of the United Races – Great Resource for Storytellers

carterWhen discovering the strongest submissions for the Mixed Roots Film & Literary Festival, one thing always stood out for me: the storyteller (filmmaker, author, performer) had a solid understanding of the historical context behind the story they were telling. Although many of the personal narratives were compelling, it was often clear when the creator of the work hadn’t delved into the historical reasons why they found themselves in a certain time and space. This often made the work feel lacking in some way.

Enter Greg Carter’s United States of the United Races – an antidote to celebrations of the mixed experience that lack the important weight of context. The Introduction examines how President Obama – and many others – have capitalized on his being mixed, “he piggybacked onto positive notions about racially mixed people to improve his symbolic power.” Carter makes his goals for the book clear here: 1) to show that racial mixture has a long history of being touted as a way towards progress and 2) to question the notion that racial mixture automatically equals progress.

In the following 7 chapters the book follows a chronological order, revisiting some of the history you may have heard often, like Thomas Jefferson and Sally Hemmings, Plessy v. Ferguson, and also giving extensive details into lesser-discussed political and social leaders who addressed racial mixing like Wendell Phillips (who wrote the original United States of the United Races, from which Carter got his title), Albion Tourgée, José Vasconcelos and Jean Toomer.

Carter’s Conclusion leaves us with hope that mixed relationships – and the children/grandchildren, etc. produced by them – might help in achieving goals of equality. He includes a checklist – to ‘check ourselves’ on blindly seeing mixed people as the only saviors, and encourages a banding together – instead of separating ourselves – to insist on making changes.

I highly recommend this book, particularly to artists of all genres who want to address the mixed experience in their work. Even if your work does not directly refer to the past, understanding it better will certainly add depth to the stories you tell.

Here’s a PODCAST with Greg Carter discussing the book – hosted by Tiffany Ried of Mixed Race Radio.