Mixed Roots Stories Performance Sampler @ CMRS 2017

Mixed Roots Stories Performance Sampler 2017

February 26th, 2:30 – 4:00 p.m.

At the 4th Critical Mixed Race Studies conference, four dynamic performers will share a sampling of their work followed by an open discussion with the artists on craft, process and engaging with themes of the mixed experience.

 

Elizabeth Chin and the Laboratory of Speculative Ethnology

The Jefferson-Hemings Complex
Elizabeth Chin is an ethnographer and anthropologist with a multifaceted practice that includes performative scholarship, collaborative research, and experimental writing. A professor at Art Center College of Design in the MFA program Media Design Practices/Field, she has published widely on children, consumption, anthropological practice. She has performed and done ethnography in the United States, Haiti, Uganda, and Cuba.

Gregory Diggs-Yang

Becoming Korean, While Growing Out My Afro: A Personal Narrative about a Moment in My Own Identity Development as a Mixed Korean and Black American
Gregory (Chan-wook) Diggs-Yang has a Bachelor’s (BA) in Education from Illinois State University and a Master’s (M.Ed.) in Educational Administration from UCLA. Greg has most recently moved from South Korea where he worked at Seoul National Universities as the Curriculum Coordinator for the IETTP (Teacher Training) and was a co-host of the Arirang Radio segment, ”Footprints of Korea with Chan-wook”. In addition he served as the President of the M.A.C.K. Foundation (Movement of the Advancement of Cultural-diversity of Koreans). A grassroots organization that supports multicultural schools and increases recognition and awareness of the diversity of Koreans. His areas of interest include multicultural education, mixed-heritage, and social justice. Greg is currently a doctoral candidate in the College of Education, Multicultural Education program at the University of Washington, Seattle. His dissertation looks at the support of biracial identity development through educational spaces.


Genevieve Erin O’Brien

Sugar Rebels

Genevieve Erin O’Brien is a Queer mixed race Vietnamese/Irish/German/American woman. She is an artist, a filmmaker, an organizer, a cook/private chef, and an educator who lives and works in Los Angeles. She holds an MFA in Performance from the School of the Art Institute of Chicago. O’Brien was a Fulbright Fellow in Vietnam, a recipient of the Department of Cultural Affairs, City of Los Angeles and Center for Cultural Innovation’s Creative Economic Development Fund. in 2016 she went to Hanoi, Vietnam as a US Dept. of State/ZERO1 American Arts Incubator Artist for a project highlighting LGBTQ visibility and equality. Her newest work More Than Love on the Horizon: West Coast Remix and Sugar Rebels were recently commissioned and presented by the Smithsonian Asian Pacific American Center.

 

For additional conference programing and other details visit the CMRS website.


CMRS 2017 Film Screenings

Mixed Roots Stories will feature the following two films during 4th Critical Mixed Race Studies conference:

Coloured: Mixed-Race Voices from South Africa

Documentary: Word of Honour: Reclaiming Mandela’s Promise

Directed by Kiersten Dunbar Chace

Photo Exhibition by Rushay Booysen

FRIDAY, FEBRUARY 24, 2017  1:00 – 2:30pm

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In 1997, two years prior to his exit from politics, President Nelson Mandela visited the Coloured (mixed-race) township of Bonteheuwel. While there, he delivers an informal speech to a crowd of men, women and children who feared their future once he left office. In 2014, twenty years post apartheid, a small South African crew led by director Kiersten Dunbar Chace traveled 7000 kilometers across the country to get a pulse on the broader Coloured community in South Africa and to bear witness to the promises he made that day in Bonteheuwel.

This beautifully filmed documentary shares the experience of seven individuals of different age and economic status from five different provinces and is held together by the fiery words of a Capetonian poet, questioning the definition of an apartheid crime.

 

 

Mixed Match by Jeff Chiba Stearns

Mixed Marrow founder Athena Mari Asklipiadis

SUNDAY, FEBRUARY 26, 2017  5:00 – 7:00pm

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When being mixed race is more than just an identity, it’s a matter of life of death.

Mixed Match is an important human story told from the perspective of mixed race blood cancer patients who are forced to reflect on their multiracial identities and complex genetics as they struggle with a seemingly impossible search to find bone marrow donors, all while exploring what role race plays in medicine. With the multiracial community becoming one of the fastest growing demographics in North America, being mixed race is no longer just about an identity, it can be a matter of life and death.

The screening will be followed by a bone marrow drive with Mixed Marrow

and CMRS conference and Hapa Japan Festival closing program.

Co-sponsored by Kaya Students for Independent Publishing

Free tickets will be limited. Check back for a link to register.

For additional conference programing and other details visit the CMRS website.

Day of walk-ins will also be welcome pending ticket availability.


Mixed Roots Stories LIVE 2017 performers

Mixed Roots Stories LIVE Performance 2017

February 25th, 6:00 – 7:30 p.m.

Mixed Roots Stories will open the 4th Critical Mixed Race Studies conference with live performances by the following:

karimi-standing-72Robert Farid Karimi

Disco Jesus – new work TBA!

Robert Farid Karimi is a community engagement specialist and comedic storyteller. He works with everyday people in cities, companies, and health centers worldwide on making healthy messaging delicious using comedy, culture and food with his culinary cultural engagement project: ThePeoplesCook Project. And, he speaks on issues as mixed race/consciousness, food politics, community deliciousness and the power of the Fool/Trickster to change the world. www.KaRRRimi.com

crystal-alad-3Crystal Shaniece Roman

Black Latina the Play

In 2008 Ms. Roman launched The Black Latina Movement, LLC (BLM) and began performing BLM’s first written theatrical piece: a one woman show about the lives of dark-skinned Latinas and African American Latinas entitled Black Latina. In early 2013 Black Latina received a new format featuring an all female ensemble cast starring Judy Torres; during the fall the revamped Black Latina saw the success of multiple sold out shows. Since 2013 Black Latina the Play has been on tour in the Northeast at campuses such as: Hamilton College, Penn State University, Community College of Baltimore County-Essex and Lehigh University. Most recently Crystal revised the one woman version of Black Latina the Play after being invited to perform at the Smithsonian Institute for Hispanic Heritage Month Festival Latinidad- Looking into Latina Women’s American Experiences September 2016.

 

carly-headshotCarly Bates

Musings of Rachel Dolezal

Carly Bates is an emerging artist from Phoenix, Arizona. With a background in music and piano performance, she is active in the Arizona arts community as a creative collaborator with musicians, movers, poets, actors: storytellers. Having recently graduated from Arizona State University, Carly is currently working with a local playback theatre company called Essential Theater and is also the editor for the Mixed Roots Stories Commons.

 

zave-martohardjono-mr-5-2-16-6337-credit-david-gonsierZavé Gayatri Martohardjono

Untitled (Balinese dance study)

Zavé Gayatri Martohardjono makes intercultural, geopolitical, boundary-defying, high glam performance, video, and installations. Interested in embodied risk-taking and cross-cultural imagery, they combine improvisation with their own cultural roots: Indonesian mythology and dance, queer iconography. Brooklyn based, Zavé has shown at Aljira Center for Contemporary Art, Boston Center for the Arts, Center for Performance Research, Center for Contemporary Arts in Glasgow, Leonard & Bina Ellen Art Gallery, Movement Research at Judson Church, Recess, SOMArts, Winslow Garage, among others. They have been an artist in residence at the Shandaken Project at Storm King, La MaMa Experimental Theatre, Chez Bushwick, and an Lambda Literary Emerging Writers Workshop Fellow.

 

dsc_7157_tLisa Marie Rollins

Performing an excerpt from SIDE CHICK: This ain’t no Harlequin Romance

Lisa Marie Rollins is playwright, poet, freelance director and dramaturg. Most recently she co-directed Young Jean Lee’s The Shipment (Crowded Fire Theater) and a reading of Tearrance Chisholm’s Br’er Cotton (Playwrights Foundation). She is the director of All Atheists are Muslimby Zahra Noorbakhsh and was co-producer of W. Kamau Bell’s “Ending Racism in About and Hour”. Lisa Marie performed her acclaimed solo play, Ungrateful Daughter: One Black Girl’s Story of Being Adopted by a White Family…That Aren’t Celebrities in festivals, universities and academic conferences across the US. She was Poet in Residence at June Jordan’s Poetry for the People at U.C. Berkeley, a CALLALOO Journal London Writing Workshop Fellow and an alumni in Poetry of VONA Writing Workshop. Her writing is published in Other Tongues: Mixed-Race Women Speak Out, River, Blood, Corn Literary Journal, Line/Break, As/Us Literary Journal,The Pacific Review and others. Currently, she is finishing her new manuscript of poems, Compass for which she received the 2016 Mary Tanenbaum Literary Award from SF Foundation. She is in development with her new play, Token. She holds degrees from The Claremont Graduate University and UC Berkeley. She is a Lecturer at St Mary’s College in Performance Studies, and a Resident Artist with Crowded Fire Theater in San Francisco. Lisa Marie is a 2015-16 playwright member of Just Theater Play Lab and Artist-in-Residence at BRAVA Theater for Women in San Francisco.

sasaki_fredFred Sasaki EAT TO JAPANESE: Achieving ethnic authenticity by eating, shopping, emojis

A step-by-step guide to being genuine authentic

Fred Sasaki is the art director for Poetry magazine and a gallery curator for the Poetry Foundation. He is the author of Real Life Emails (Tiny Hardcore Press, 2017) and the zine series Fred Sasaki’s and Fred Sasaki’s Four-Pager Guide To: How to Fix You.

 

 

The Performance will be held at the Norris Cinema Theater 850 W 34th St, Los Angeles, CA 90089

This event is Co-Sponsored by the USC School of Cinematic Arts

Free tickets will be limited. Check back for a link to register.

For additional conference programing and other details visit the CMRS website.

Day of walk-ins will also be welcome pending ticket availability.

 


Event Update: UC Berkeley Mixed Student Union Fall Conference

Board members Stephanie Sparling Williams and Kaily Heitz represented Mixed Roots Stories at the UC Berkeley Mixed Student Union’s (MSU) annual fall conference, Saturday, November 21, 2015. This year’s theme focused on our use of language around mixed race identity.

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MSU members, Laila and Biatris, greet attendees outside the Berkeley YWCA.

Stephanie was invited to present a workshop on mixed media and representation of mixed race artists. A number of other mixed race scholars, many of whom presented at CMRS ‘14, were also invited to present panels and keynote presentations, including Marc Johnston Guerrero, who discussed the concept of monoracism for the morning plenary. Present at the conference were approximately 50-60 attendees, mostly students from other mixed student organizations; there were large contingents from UC Davis, UC Santa Cruz and UC Los Angeles.

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Mixed Roots board member, Stephanie Sparling-Williams, presents her workshop on mixed media.

In the afternoon, Kaily presented a keynote workshop, Both, All, And: Creating Communities to Support Mixed Student Organizing. Breakout sessions were designed to help students refine the purpose of their clubs and to understand how the language one uses in a mission statement is important to communicating a club’s goals to other, key partner departments, organizations, and regional networks. Attendees were also provided with toolkits and ideas for maintaining the integrity of a club across graduating classes.

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Mixed Roots board member, Kaily Heitz, presents keynote workshop in the afternoon, about sustaining mixed race student communities.

We had a great time presenting at Berkeley and found the conference to be a great source of inspiration; we can’t wait to continue the discussions we began with MSU and other student union representatives!

For more information about the UCB MSU, contact mixedstudentunion@gmail.com

Facebook: https://www.facebook.com/groups/2200747115/



Theatre Review: Closely Related Keys

Closely Related Keys_6Complications and celebrations of the Mixed Experience are in abundance in playwright Wendy Graf’s new play Closely Related Keys. The opening scene features Julia (played with endless energy by Diarra Kilpatrick) mid-orgasm with her boyfriend Ron (Ted Mattison). Julia is African American, Ted is not. Later we meet Julia’s father, Charlie (played by Brent Jennings), who informs Julia that she has a half sister, Neyla – who is Iraqi. Neyla (the impressive Yvonne Huff) needs a place to stay while in New York for an audition at Juilliard, and Charlie announces to Julia – at the worst time possible in her life – that Neyla will stay with her. The playwright is a white Jewish woman, and the director, Shirley Jo Finney, is African American.

Though the opening sex scene feels somewhat gratuitous, what follows is a balanced and provoking representation of cultures, races and intimate relationships colliding and evolving. Graf is not afraid to tackle race, privilege and stereotypes head-on. And while Graf may not have direct experience living within the cultures she represents, her play displays research and caring for those cultures, and for our contemporary struggle with judgement of those we don’t understand (you can hear more about this HERE in my podcast interview with Yvonne Huff). Through light, witty moments, well-developed characters, and touching monologues by Kilpatrick and Huff, Closely Related Keys leaves the audience cautiously hopeful for the future.

find out more about Yvonne Huff’s theatre company here: Lower Depth Ensemble
follow actress Diarra Kilpatrick on Twitter here: https://twitter.com/DiarraOni
follow actor Ted Mattison here: https://twitter.com/tedmattison

Fri, Feb 28 – Sun, Mar 30
Thursday, Friday and Saturday @ 8pm
Sundays @ 4pm

Show Calendar

BUY TICKETS
Previews: $15
General Admission: $25
Saturdays: $30
Opening night: $30 (with opening night party)

Special Show Info
Running time: 120 minutes.
There will be an intermission.

Lounge Theatre 1
6201 Santa Monica Blvd
Los angeles, CA  90038
Street Parking
Area Map

Reservations
(323) 960-7774

Cast: Diarra Kilpatrick, Yvonne Huff, Brent Jennings, Ted Mattison, Adam Meir
Director: Shirley Jo Finney
Playwright: Wendy Graf
Set & projection designer: Hana Sooyeon Kim
Lighting designer: Donny Jackson
Music & sound designer: Peter Bayne
Costume designer: Naila Aladdin Sanders
Producer: Racquel Lehrman
Associate producer: Victoria Watson
Presented by Hatikva Productions



Closely Related Keys – World Premiere Play Opens 2/28/14

Closely Related KeysClosely Related Keys tells the story of a young attorney whose carefully constructed life begins to crumble with the discovery of an Iraqi half sister who has fled Iraq,  arriving unexpectedly in the U.S.  It’s about love and loyalty, secrets and lies, and how the past , never being dead, just hovers around waiting to smack us upside the head.   Join us for this journey about picking up the broken pieces of the past to imperfectly assemble a new family and future.
Tickets now on sale!
Closely Related Keys Lounge Theatre
6201 Santa Monica Blvd., Los Angeles, CA
In Wendy Grafs World Premiere drama, an African-American attorneys carefully constructed life begins to crumble when she is shocked to discover she has an Iraqi half-sister who comes to the U.S. with a questionable agenda. Directed by the award-winning Shirley Jo Finney.
February 28 – March 30, 2014Box Office:
www.plays411.com/relatedkeys — with AJ Meijer andSandy Joseph.

A Nice Indian Boy – WORLD PREMIERE

A Nice Indian Boy – Word Premiere 

February 20 – March 23, 2014

The second place winner of the East West Players Face of the Future Playwriting Competition. The Supreme Court Ruling on gay marriage has been decided, and this play is timely in continuing the discussion. A comedy about love and marriage,  Naveen Gavaskar and Keshav Kurundkar share all things Indian – from the Hindi language to the difficulty of being gay in Indian culture. Keshav, however, is adopted by Indian parents…and Caucasian.