“The Lovings” #VisualizingLovingDay

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Artist: Tif Pruitt

Medium: Oil on Canvas

Title: “The Lovings”

From the Artist:

“This body of work is called, “The Lovings”.  I discovered them last year during my last semester in art as an undergrad at OSU.  At that time I was working on a series of paintings about underdog heroes.  As the work developed I focused on the Lovings and their story.  While working on The Lovings body of work I, myself made a personal revaluation.  If it were not for the Lovings, I would not have the soul mate I have in my life right now.  At that time, I realized that I was in an inter-racial relationship. At that time we had already been married five years.  Thanks to the Lovings, not only am I able to be married to my soul mate. I realized that the heart is blind and that pure love transcends all in the first place.”

Tif can be found on Facebook and Twitter at: Tif Pruitt.

 

Thank you Tif for sharing with us how you Visualize Loving Day!

 

 

 



University of Maryland College Park #VisualizingLovingDay

The University of Maryland College Park’s interns from the Office of Multicultural Involvement and Community Advocacy celebrate Loving Day year round. They came up with a visual campaign to educate their peers about what Loving Day is all about. Students give a balloon and lollipop with the story of the Lovings attached and are asked to tweet and Instagram photos with the balloons before passing them on to another student. These photos are from 2014 and 2015.

image027               UofM Visualizing Loving 2

The Community Organizing Students Interns (COSI) were asked by Naliyah Kaya, PhD, the Coordinator of Multiracial & Multicultural Student Involvement & Advocacy, if they knew how the Lovings were. They were then asked to research it and come up with a way to share it and celebrate the day with their peers. We love what the COSIs came up with!

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Office of Multicultural Involvement & Community Advocacy (MICA)

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Adele H. Stamp Student Union @ The University of Maryland College Park

Look at that love being passed from student to student!

Thank you Naliyah and the COSIs for sharing with us how you Visualize Loving Day!

 

 


Mixed Roots Stories goes LIVE at #CMRS 2014

We had a blast at the Critical Mixed Race Studies Conference in November of 2014.

KT2014 Live performers with MXRS in bgWe were honored to have such a talented, global cast, for the LIVE event.

Here are some of the clips from the LIVE event on the closing night of the conference!

Note: Mature Language in several of the pieces.

Part 1 – Joe Hernandez-Kolski (with guest Dustin)

www.pochojoe.com

Part 2– Joe Hernandez-Kolski

www.pochojoe.com

Part 3-Tangled Roots (Katy Massey, Zodwa Nyoni, Lladel Bryant, Adam Lowe)

www.tangledroot.org.uk

Part 5-Tania Cañas

www.tania-canas.squarespace.com

Part 6– Fred Sasaki

Part 7 – Joe Hernandez- Kolski

www.pochojoe.com


CMRS Mixed-Race Irish Film Keynote Links

Following my keynote on mixed representations in contemporary Irish cinema and television at the 2014 Critical Mixed Race Studies Conference, here are some links to the films discussed.

 

In 1976 Radharc, a TV production company run by the Irish clergy whose work was commissioned by the state broadcaster RTE, produced The Black Irish, a documentary on mixed-race people in Kinsale, Montserrat.

Recut trailer for Irish language TV channel TG4: http://www.youtube.com/watch?v=0QHYFXDGf4Y

Full documentary: http://www.rte.ie/archives/exhibitions/1378-radharc/355633-the-black-irish/

 

In The Commitments (Parker, 1991), the black and mixed-race Irish are an absent presence as the white protagonists reappropriate the elements of African-American culture relevant to their needs, in order to voice their own feelings of oppression and victimhood:

http://www.youtube.com/watch?v=o_aO9pv0Y7I

 

1993 TV series Queen explores the divisions of racialization in America, and the difficulties faced by a young mixed-race Irish-African-American woman, Queen (played by Halle Berry), in the slavery-era South who does not fit into either side of the established black/white binary. The series also featured mixed actress Jasmine Guy as Queen’s mother.

https://www.youtube.com/watch?v=fQLMqZ5I_Xs

 

The 1998 melodrama The Nephew (Brady) begins with a baggily dressed, dreadlocked mixed-race man arriving by boat at Inis Dara, a small island off the Irish mainland. Chad Egan-Washington (Hill Harper) is the son of an Irish emigrant who married an African-American. Here’s a clip of his performance of a song in Gaelic, with the refrain Fill a Rúin O [Come back, my love]: http://www.youtube.com/watch?v=FjGSsBmZtOY

 

In rom-zom-com Boy Eats Girl (Bradley, 2005), a budding romance between teenagers Jessica (played by Irish-Zambian popstar/actress/model Samantha Mumba) and Nathan (David Leon) is disturbed by a zombie attack. Nathan fears that Jessica has stopped loving him and so commits suicide. His mother uses voodoo to bring him back from the dead and as he feeds he produces a zombie army. Here’s the trailer: http://www.youtube.com/watch?v=Vr3uDod2Kd4

 

Rural realist horror Isolation’s (O’Brien, 2005) protagonists are also a young couple. Mary (Irish-Ethiopian actress Ruth Negga) and Jamie (Sean Harris) run away together after her family reject him – he’s a Traveller (i.e. nomad), another of the marginalised Irish, but of a lower status here than non-whites. In this scene, Mary gets to know the farmer whose land they’re staying on: http://www.youtube.com/watch?v=UbsEDVrIyAQ

Trailer: http://www.youtube.com/watch?v=OHUdt6abG64

 

Multicultural Irish Shorts (full film links):

Moore Street Masala (Ireland, O’Sullivan, 2009): http://www.thisisirishfilm.ie/shorts/moore-street-masala

Oscar nominated New Boy (Green, Ireland, 2007): http://www.thisisirishfilm.ie/shorts/new-boy

Racist B&B (O’Brien, 2013): https://www.youtube.com/watch?v=J80q7Q3UIEM

The Blaxorcist (King, Ireland, 2007): http://www.thisisirishfilm.ie/shorts/the-blaxorcist

Cactus (Molatore, Ireland, 2007): http://vimeo.com/6213753

 

 

2013 Irish Films on Mixed Roots

Paula Kehoe’s An Dubh ina Gheal [Assimilation] is a documentary on the Irish-Aborigines of Australia: http://vimeo.com/92388921

 

Joe Lawlor and Christine Molloy’s film Mister John positions the Irishman within an interracial family in Singapore: https://www.youtube.com/watch?v=6cUpuB5s-rw

 

Donal O Ceilleachair’s documentary Aisling Gheal [Bright Vision] follows the life of Shahira Apraku, a young mixed-race pupil of sean-nós (traditional song), in the Gaelic speaking region of Connemara in the West of Ireland: http://www.youtube.com/watch?v=orCEyy206iI

 

 

Further Irish Films Featuring Mixed and Black Actors Include:

Pigs (Black, 1984), Oscar winning feature The Crying Game (Jordan, 1992), Mona Lisa (Jordan, 1986), When Brendan Met Trudy (Walsh, 2000), Black Day at Black Rock (2001), Breakfast on Pluto (Jordan, 2005), Pavee Lackeen (Ogden, 2005), Irish Jam (Eyres, 2006), Ghostwood (O’Brien, 2006), The Front Line (Gleeson, 2006), Kisses (Daly, 2008), 3 Crosses (Figgis, 2009), Trafficked (O’Connor, 2009), Sensation (Hall, 2010), The Guard (McDonagh, 2011); Between the Canals (O’Connor, 2011), The Good Man (Harrison, 2012), Milo (Boorsma and Boorsma, 2012), Byzantium (Jordan, 2012), What Richard Did (Abrahamson, 2012), Calvary (McDonagh, 2013).


See also RTE  television series: The New Irish: After the Bust (2012), Love/Hate (2010-present, featuring mixed Irish actors Ruth Negga and Aaron Heffernan), Prosperity (2007), Raw (2008-10), Father and Son (2009, featuring mixed actors Reece Noi and Sophie Okonedo), Little Brazil: Gort, Ireland (2006), Love is the Drug (2004, also starring Negga), The Clinic (2003-9), Fair City (1989-present, currently featuring mixed-race Irish actress Donna Anita Nikolaisen). And TG4 2011 documentary on Gaelic-speaking Zimbabwean Irish sean-nós dancer, choreographer, composer, performer Tura Arutura, Steip le Tura.

 

By Dr Zélie Asava


 

IMG_4237Dr Zélie Asava is Joint-Programme Director of the BA in Video and Film at Dundalk Institute of Technology, where she teaches courses on film and media theory. She also lectures in UCD Film Studies. Her monograph is entitled

The Black Irish Onscreen: Representing Black and Mixed-Race Irish Identities

on Film and TV (Peter Lang, 2013). She has published essays in a wide range of journal and essay collections, including: Masculinity and Irish Popular Culture: Tiger’s Tales (Palgrave MacMillan, 2014); Oxford Bibliographies Online: Cinema and Media Studies (Oxford University Press, 2013);Viewpoints:Theoretical Perspectives on Irish Visual Texts (University of Cork Press, 2013);The Universal Vampire (Farleigh Dickinson University Press, 2013); France’s Colonial Legacies: Memory, Identity and Narrative (University of Wales Press, 2013).


 


“Mixed Race Representations in Contemporary Irish Cinema”

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We were honored to have Dr. Zélie Asava as our Mixed Roots Stories keynote at the 2014 Critical Mixed Race Studies Conference.

Dr Zélie Asava is Joint-Programme Director of the BA in Video and Film at Dundalk Institute of Technology, where she teaches courses on film and media theory. She also lectures in UCD Film Studies. Her monograph is entitled “The Black Irish Onscreen: Representing Black and Mixed-Race Irish Identities on Film and TV” (Peter Lang, 2013). She has published essays in a wide range of journal and essay collections, including: Masculinity and Irish Popular Culture: Tiger’s Tales (Palgrave MacMillan, 2014); Oxford Bibliographies Online: Cinema and Media Studies (Oxford University Press, 2013);Viewpoints:Theoretical Perspectives on Irish Visual Texts (University of Cork Press, 2013);The Universal Vampire (Farleigh Dickinson University Press, 2013); France’s Colonial Legacies: Memory, Identity and Narrative (University of Wales Press, 2013).

You can view her keynote from the conference below:

You can find a follow up guest blog from Dr. Asava with the links to the videos referenced here.


Yuletide Angels – a celebration of many cultures and faiths

UnknownMargaret Bacon Schulze is a freelance writer of Okinawan/Anglo heritage. Her first book of fiction, Yuletide Angels, was published last year by electio Publishing. It’s the story of a mixed race family enjoying the many customs and traditions of the Yuletide season. A celebration of many cultures and faiths!

More on the book:

Dina is searching for a special angel to top her Christmas tree, one that looks like her Japanese, Irish, German, and Mexican sons. Her husband Julio struggles with his disdain of holiday hype.

Would you like to order this book? Here’s a link for more info: http://electiopublishing.com/index.php/bookstore#!/~/product/id=31016183


“I Didn’t Know What I Didn’t Know: A Southern White Woman’s Story About Race”

IMAG00271-150x150Thanks so much to Kaypri for letting us know about her mother’s book “I Didn’t Know What I Didn’t Know: A Southern White Woman’s Story About Race.” You can learn more about this moving and important story here: www.dorothystory.com – why not make it a holiday gift for a mother or grandmother on YOUR list!?

Here’s the description Kaypri sent us:
Dorothy Hampton Marcus is a Civil Rights Activist, truly ahead of her time. She jumped into Race Relations before it had a name, (in the fifties), and was one of very few Whites to do so. A Winston-Salem, North Carolina native, she grew up in the Jim Crow Era, not fully knowing what that really meant. In her undergrad years at Meredith College in Raleigh she had her first one-on-one inter-racial experience which this progressive all-womens school arranged. This event changed her life and by the time she graduated, she’d found a new passion. Determined to enlighten others with what she had begun to know, she found answers in the most unexpected places witnessing history along the way. For the next two decades she worked in a succession of “Human Relations” jobs throughout the U.S. putting off marriage and motherhood to do so. Even after marrying “late” at age 40, she never gave up on improving civil rights for all people. She was determined to share what she now knew well past her retirement when she started writing this story. She dedicated herself to finishing the book right up until the onset of dementia made it impossible for her to write another sentence. It was at that point that I realized it was up to me to pick up the baton which I started by completing the first draft of her book for her 80th birthday in 2012. It took me nearly two more years to flesh it out and publish it, adding my Daughter’s Notes along the way. I am truly proud to share my mother’s story with the world!