BOOK REVIEW – Raising Mixed Race: Multiracial Asian Children in a Post Racial World

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Sharon H. Chang’s inaugural book, Raising Mixed Race: Multiracial Asian Children in a Post Racial World, lays out a blue print that outlines the history of white supremacy and how it has corrupted the way people treat each other, specifically Mixed Race/ Multiracial and Multiracial Asian individuals. She develops an important foundation that provides a glimmer of hope for moving forward toward improving our future world, despite the powerful suppressive system before us.

The title might make you think it is a parenting book, and it is (or could be), but it so much more! The language/verbiage used in the book makes this potentially academic/research strong book accessible for those who might have the most questions…parents. Though this book has a focus on multiracial Asian children, it is not just a book for parents of multiracial Asian children. It is a book for all children of color…and even for parents of white children! This book is for anyone who comes in contact with children in any way. This means if you are a teacher/educator, a child care worker, do research with children or on race and intersectionaility…or if you are a parent, sibling, aunt, uncle, grandparent, or once was a child. This book is for everyone!

The book is based on Chang’s interviews with 68 parents of 75 young children living in Washington State. She does not go into detail about her recruitment and method, however she does discuss this in my recent interview with her (see Part 1 of 2 below). She intertwines her findings with current and historical events, existing scholarly research and reports, her expertise in tracking dialogue across social media, her own multiracial Asian experience and more.

The focus is on children from 0 to 5 years old. This is an age that has been neglected in most parenting books and research with a multiracial focus. This is also an age during which many parents think that their children do not recognize/see race; however Chang shows us that they absolutely do. Young children are learning from the subtle and often unspoken systematic racism that is infused throughout every aspect of our society.

Chang makes it clear that the understanding of race begins in the home. In a world that is fearful to discuss how white supremacy has been engrained into society and families generation after generation…it is time families start having these difficult conversations. Chang warns that race is not easy to discuss, but essential and does not have to be done alone. It can be done through community. Her last chapter provides specific examples of how to address race in the community, school, and home.

This is the first book that I have seen, that looks at racial identity development, and puts systematic racism and white supremacy where it belongs…. at the beginning and linked over and over again to the end. To understand and address race issues with our children, we must begin with its origin story. When attempting to comprehend the lens in which race issues are created, we must understand the frame in which that lens is held together – white supremacy. Chang tells it like it is. She lifts the curtain on age-old white ideas of race, breaks down history, language and concepts that have created divisions between people who look different or do not follow the prescribed norms. For example, she breaks down how the trending term microagression was created from a white lens and points out there is nothing small or mirco about them! She deconstructs terms used in medical spaces, such as “Mongolian Spots” that have racist origins; and many individuals have just come to believe that is what they are called (See Part 2 of 2 below for more on this). Additionally, she provides a fantastic response to the common question/idea “But aren’t we all mixed?” in one of the most eloquently written explanations I have seen. Watch Part 2 of 2 below to hear about how she responds to the question and her new elevator response to this question!

The book is coming out just in time for the holidays, and will make a great gift. It should be on everyone’s 2016 reading list! You can order the book on the publisher site  or on Amazon.

Be sure to join Sharon on December 11th for her Facebook launch party. She will be partying all day and giving away some great prizes. Don’t miss it!

You can find the Multiracial Asian Families community and blog page on Facebook, the book page on Facebook. You can fin her on Twitter @mutliasianfams, Pinterest, or on her blog MultiAsian Families.

 

Watch my recent interview with Sharon!

Part 1 – She shares her mixed roots story, how the book came to be and more!

Part 2 -We discuss content from the book including: “Mongolian spots”, miss-education and the need for reeducation around racist terms, how to respond to -“Everybody is Mixed”, Culture vs. Race, Anti-bias curricula, learning environments and more.



Chandra Crudup, PhD, MSW
 is a board member and co-founder of Mixed Roots Stories. She is the Vice President of MAVIN and the Production Manager for One Drop of Love. Chandra is full time Lecturer and Faculty Associate Coordinator in the School of Social Work at Arizona State University. She has over six years of practice experience in K-12 schools. Her research interests are centered on multiracial identity and interracial relationships. Her research utilizes video technology as a qualitative data gathering tool. She is also interested in using the arts as a medium to build positive self-esteem in youth.


Wanted: Stories About the Asian American Experience

From the CAAM website: The Center for Asian American Media (CAAM) is a non-profit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. We do this by funding, producing, distributing and exhibiting works in film, television and digital media.

We encourage you to tell your unique story – and then take advantage of the many resources out there to help get your story distributed to a wider audience. Others will benefit greatly from your truths!


‘Becoming Mexipino’ – A Story Worth Telling

Becoming Mexipino

Rudy P. Guevarra, Jr., discusses the mixed history and identity of two minority groups (Mexicans and Filipinos) in his book Becoming Mexipino: Multiethnic Identities and Communities in San Diego.

He weaves together the stories of Mexipinos in San Diego by exploring their families immigration to the United States, their fight for civil rights, participation and creation of labor unions, and socialization through cultural functions that brought couples of the two groups together.

“Thus, by examining the intimate, complex relationship between Mexicans and Filipinos in San Diego and exploring how they and their multiethnic children carved a place for themselves in the United States, we can begin to appreciate how identities and communities are formed, nurtured, and sustained over generations. Indeed, the multiple generations of Mexipinos are testimony to this unique history of multiethnic communities in the United States. It is a story worth telling.” (p. 12)

We agree! It is a STORY worth telling.

Becoming Mexipino: Multiethnic Identities and … – Amazon.com


Laura Kina’s Art Exhibit 11/16/13 in Maryland

Indigo: An Exhibition of Textiles by Laura Kina and Shelly Jyoti

Saturday, November 16, 2013
Gandhi Memorial Center
Opening Reception from 2 to 4pm
Inaugural Remarks at 2:30pm

With Distinguished Guest Mr. Taranjit Singh SandhuDeputy Chief of Mission, Embassy of India

RSVP for Opening Reception by 11-14-2013
info@gandhimemorialcenter.org
301-320-6871
Exhibition May Be Viewed Through January 2014
Fridays and Saturdays 10am – 4pm and By Appointment

Gandhi Memorial Center 
4748 Western Avenue
Bethesda, MD 20816
www.gandhimemorialcenter.org

This exhibit is presented by the Gandhi Memorial Center in cooperation with 
the Embassy of India and with support of the Indian Council for Cultural Relations.

Shelly Jyoti’s “Indigo Narratives” refer to the 19th century history of India’s indigo farmers, their oppression and Mahatma Gandhi’s subsequent non-violent resistance leading to India’s freedom. Shelly lived in Gujarat, India and her “Narratives” use traditional embroidery by rural women in Gujarat with support of Shrujan: Threads of Life and indigo resist dyeing printing on khadi fabric with the 9th generation ajrakh artisans of Gujarat famed for their bold embellished textiles. www.shellyjyoti.com

Laura Kina’s “Devon Avenue Sampler” is a portrait of her South Asian/Jewish Chicago neighborhood, West Roger’s Park, and features a bricolage of pop street signage rendered in patchwork quilt paintings. The “Sampler” includes works hand embroidered by artisans from MarketPlace: Handwork of India, a fair trade women’s organization in Mumbai, India. Laura lives and works in Chicago’s “Little India”, a vibrant multiethnic immigrant community.www.laurakina.com

The common thread between both bodies of work is the color indigo blue from India’s colonial past, to indigo-dyed Japanese kasuri fabrics and boro patchwork quilts, through blue threads of a Jewish prayer tallis, to working class blue jeans in the U.S. Since 2009, “Indigo” has exhibited in galleries and cultural centers in Baroda, New Delhi, Mumbai, Seattle, Miami, and Chicago.


View Artist Laura Kina’s Work in New Delhi, India (11/8/13)

Press Release

CARE Package c/o New Delhi, India

Curated by Ombretta Agró Andruff in collaboration with the artists 

Opening Reception: Friday, November 8th, 2013. 6:30pm onwards

India International Centre
Annex Art Gallery, Lodhi Estate
40, Max Mueller Marg
New Delhi, India 110003
http://iicdelhi.nic.in/

Follow the project on Facebook: https://www.facebook.com/carepackageart

IIC is thrilled to announce its upcoming exhibition, CARE Package c/o New Delhi, India, with an opening reception onNovember 8th, 2013. The show runs from November 7–15, 2013.

Inspired by the concept of “CARE Package”, the exhibition brings together five international women artists from Asia or of Asian descent, touching venues in North America as well as Asia. The exhibition debuted in the USA at Twelve Gates Gallery in Philadelphia (October 2012) and is traveling next to IIC, New Delhi before going on to Phnom Penh, Cambodia [the city named in the title changes according to the hosting location].

A rich tradition exists throughout Asian countries of gift packages exchanged as social contract and, while unwritten, they embody strong cultural, social, political and economic codings. In North America, care packages are associated with gifts sent from loved ones to their children and youth who are away from home (usually off to camp, college, or the military). Historically the CARE package was the unit of aid at the core of the food relief effort developed in 1945 by the USA-based humanitarian CARE organization and was sent to a large number of Europeans at risk of starvation in the wake of World War II. It soon became an icon of American generosity and global leadership.

In an era where the concept of “American generosity and global leadership” is a far cry from its meaning during the post-war years and very much up for debate, the participating artists tell stories that grew out of their own personal history and cultural heritage to tackle issues of nationhood, race, gender, religion, and economic exploitation on a world scale, in the context of emergent global capitalism.

Storytelling and a deep interest in history and untold stories is a shared strategy amongst this newly formed collective of interdisciplinary women artists who have historical and contemporary links to disparate geographies such as India, Pakistan, Japan, Cambodia, Canada and the USA. In a grass roots diplomatic effort, they are collaborating with an Italian, New York/ Miami-based curator to conduct a trans-cultural dialogue between their works, their countries of origin, and the intersections and migrations between.

Artists: Shelly Bahl (born in Benares, living between New York and Toronto); Shelly Jyoti (Born in Rohtak, living in New Delhi); Laura Kina (born in Riverside, CA, to an Okinawan father and Basque/Anglo mother, and living in Chicago); Saira Wasim (born in Lahore, living in California); and Cambodian-American Anida Yoeu Ali (born in Battambang, Cambodia, raised in Chicago, currently living in Phnom Penh, Cambodia).

For more information, contact curator Ombretta Agro’ in Miami ombretta@ombrettaagro.com
Or in New Delhi, contact artist Shelly Jyoti shellyjyoti12@yahoo.com
Tel: 91 9582252062

This New Delhi exhibition is organized by India International Centre.