United States of the United Races – Great Resource for Storytellers

carterWhen discovering the strongest submissions for the Mixed Roots Film & Literary Festival, one thing always stood out for me: the storyteller (filmmaker, author, performer) had a solid understanding of the historical context behind the story they were telling. Although many of the personal narratives were compelling, it was often clear when the creator of the work hadn’t delved into the historical reasons why they found themselves in a certain time and space. This often made the work feel lacking in some way.

Enter Greg Carter’s United States of the United Races – an antidote to celebrations of the mixed experience that lack the important weight of context. The Introduction examines how President Obama – and many others – have capitalized on his being mixed, “he piggybacked onto positive notions about racially mixed people to improve his symbolic power.” Carter makes his goals for the book clear here: 1) to show that racial mixture has a long history of being touted as a way towards progress and 2) to question the notion that racial mixture automatically equals progress.

In the following 7 chapters the book follows a chronological order, revisiting some of the history you may have heard often, like Thomas Jefferson and Sally Hemmings, Plessy v. Ferguson, and also giving extensive details into lesser-discussed political and social leaders who addressed racial mixing like Wendell Phillips (who wrote the original United States of the United Races, from which Carter got his title), Albion Tourgée, José Vasconcelos and Jean Toomer.

Carter’s Conclusion leaves us with hope that mixed relationships – and the children/grandchildren, etc. produced by them – might help in achieving goals of equality. He includes a checklist – to ‘check ourselves’ on blindly seeing mixed people as the only saviors, and encourages a banding together – instead of separating ourselves – to insist on making changes.

I highly recommend this book, particularly to artists of all genres who want to address the mixed experience in their work. Even if your work does not directly refer to the past, understanding it better will certainly add depth to the stories you tell.

Here’s a PODCAST with Greg Carter discussing the book – hosted by Tiffany Ried of Mixed Race Radio.


Romeo & Juliet in Black & White on Broadway

I’ve been looking forward to reading the reviews from this new production for a while. It’s not the first time a director has cast R & J as an interracial couple. There was an Ovation Award-winning version at the Theater at Boston Court here in LA a few years ago taking place in the antebellum south, and I’m certain many a college and small independent theater has addressed ‘race’ in their productions. But this is Broadway – and a Broadway show has the potential for impact on a large scale. So I was intrigued when I learned that film star Orlando Bloom (Lord of the Rings, Pirates of the Caribbean) and the emerging theater star Condola Rashad (nominated for a Tony for Trip to Bountiful, daughter of film and theater actor Phylicia Rashad) would be playing the tragic lovers. How would the director, David Leveaux, address the Mixed experience in this production? How might audiences react to the casting of a ‘white’ man falling fatally in love with a ‘black’ woman (an atypical depiction of an interracial couple in contemporary media). The New York Times review mentions ‘race’ in a brief paragraph: “That one of them is white and the other black may underscore the division between their families, yet it registers as irrelevant when they’re together.”

It’s not clear whether the reviewer sees this irrelevance as a good or bad thing, but it disappoints me. I’m still waiting for a production that takes on historical racial oppression. Even in the comments to the review, there is barely any mention of how this production addresses ‘race.’ In fact, I would suggest that some commenters’ opinions that the lead actors lacked chemistry may have more to do with their own discomfort in seeing intimacy by an interracial couple, than in the performances by the actors.

Granted, Shakespeare’s play is so well known that really addressing the behemoth that is racism will take skill, creativity and indefatigable research by a director and cast, but until then I am going to watch for the independent theaters and college presentations – who just may have more courage to do so.


Great Resource for Indie Filmmakers in LA

I participated in Film Independent’s Project:Involve program back in 2007, when, after several years of pursuing an acting career, I decided that I wanted to be an actor who also knows how to write and produce. I was growing tired of the kinds of roles my agent sent me out for – e.g. ‘Party Girl #1’ for Bud Light commercials – and was especially tired of not seeing people I could relate to being represented in the media. That’s how I found Film Independent.

Film Independent is dedicated to nurturing underrepresented filmmakers through workshops, mentor programs (like Project:Involve) and the Independent Spirit Awards. Project:Involve surrounds its participants with mentors, professionals and other filmmakers whose voices have often been rejected in the mainstream. The application process is rigorous, but if you are chosen, any of Film Independent’s programs will change the trajectory of your filmmaking career – and the media will greatly benefit from having your added voice.

Upcoming deadlines:

2014 Directing Lab: October 7th 2013

2014 Documentary Lab: December 2nd 2013

The next Project:Involve deadline is April 2014.

Best of luck – and keep telling your story!


Brown Rice: My Blasian Story

Hitomi Lei Mockett is writing a memoir about growing up with a “Japanese, Buddhist mother and an African-American, Catholic-raised turned Atheist father.” Sharing a voice that has yet to be widely represented in the mainstream, Hitomi hopes to “advocates unity in culture and races through honest narrative, grounded in love.” We fully support her in her writing journey; take a look at her blog, and ‘like’ her facebook page to show your support too!



Asian American Literary Review: Mixed Race Issue

The AALR is dedicated to providing a space for both established and emerging writers to express what it means to identify as Asian American. Their latest issue is focused on Mixed Race identity, and they’ve gathered an impressive amount of storytellers of all genres to explore the Mixed experience. The hard cover journal is only the beginning, though. Throughout the 2013/2014 fall and spring semesters, over 100 universities will be participating in interactive classrooms using the Mixed Race issue as a springboard to discussions and new understandings of the Mixed experience. We strongly encourage you to purchase this journal, which will certainly be considered a historical archive, and to participate in the university initiatives.

Asian American Literary Review home page

Order your copy of the Mixed Race Issue HERE

Learn more about the University classes HERE

 


MIT Documentary Workshop DEADLINE

MIT (Massachusetts Institute of Technology) is hosting a workshop for emerging filmmakers and film students. Here’s a chance to learn how to take those Mixed experience stories floating around in your head and get them into a visual medium. The deadline to apply is September 12 – so get those applications IN!

CALL FOR APPLICATIONS

Workshop “In a single shot” for emerging filmmakers and film students October 9 – 22, 2013

Instructors: Harun Farocki and Antje Ehmann

Application deadline: September 12, 2013

The Goethe Institute Boston in close collaboration with MIT’s OpenDocLab and HyperStudio offers this unique workshop for emerging filmmakers, to be held at the Goethe Institute Boston and MIT from October 9 to October 22, 2013. Application deadline: September 12, 2013.

“The task at hand is to present the topic “work” by means of a single video sequence; in other words, you will produce videos consisting of only one sequence. The topic is work: paid, unpaid, material or immaterial, traditional or entirely new work. This assignment formally introduces the foundations of filming, as you need to find out: When can we find a beginning and an end even if a repetitive process is being shown? Should the camera be moved or stand still? What is the best way to capture the choreography of a work process in a single sequence? Early films told us: Every detail of the mobile world is worth being documented and considered. And they had a fixed point of view, whereas today’s documentary film only too often presents sequence upon sequence because it is undecided.”

H. Farocki/Antje Ehmann

OBJECTIVES

Workshops

The workshop in Boston/Cambridge is part of a series of workshops held by German artists Harun Farocki and Antje Ehmann in 15 cities worldwide. Workshops already took place in Sligo (Ireland), Lisbon, Bangalore (India), Geneva (Switzerland), Tel Aviv, Berlin, Cairo (Egypt), Rio de Janeiro, Buenos Aires, Lodz (Poland), Moscow, and Hanoi (Vietnam). Besides Boston, additional workshops will be held in Mexico City, Johannesburg, and Tsingtao (China).

Web Catalogue

Selected films from the workshops can be accessed at the following sites:

http://www.labour-in-a-single-shot.net http://www.eine-einstellung-zur-arbeit.net

Exhibits

Selected films will be shown in museums and galleries in seven international locations. Initial exhibits took place in Tel Aviv and Lisbon.
Exhibits are currently being planned for Lodz (Poland), Bangalore (India), Mexico City, and Montreal. Final exhibits are being planned for Boston (October 2014) and Berlin (January 2015). A number of completed films have been selected for the Venice Biennale, where they are currently being shown in the Latin America Pavilion.

PARTICIPANTS

A total of 25 film students or filmmakers will be selected from all applicants to participate in the workshop. All age groups are welcome – students, independent film makers, professors dedicated to documentary film making, and alumni. Selection criteria are: creativity in film-making, ideas, engagement, and outstanding film results. The Boston workshop will have a special focus on the representation of intellectual work. Several workshop spots are reserved for MIT and Harvard students.

LOCATIONS

Goethe Institute Boston, 170 Beacon Street, Boston, MA 02116 Massachusetts Institute of Technology (Building E15-3rd floor) – Cambridge

WORKSHOP SCHEDULE Wednesday, Oct. 9, 5 p.m.: (Goethe-Institut) Thursday, Oct. 10, 7 p.m.: (MIT) Sunday, Oct. 13, 1 p.m.:(MIT) Wednesday, Oct. 16, 5 p.m.: (Goethe-Institut Saturday, Oct. 19, 1 p.m.: (MIT)` Monday, Oct. 21, 1 p.m.,5:pm: (MIT and Goethe-Institut)

Tuesday, Oct. 22, 6 p.m.: ( Final public screening of workshop films) Goethe-Institut

METHODOLOGY

At the beginning of the workshop, each participant will present a proposal based on advance research and comprising the specific type of work to be filmed, the manner of filming in a single sequence, the protagonist and/or the location. The workshop will include theory as well as practical work. Days without scheduled sessions are reserved for research and filming in groups. Exact schedules will be decided during the workshop. Participants will take on various assignments.

Application DEADLINE: September 12, 2013

REQUIREMENTS

a) Fluency in English (the workshop will be held in English)

b) US Visa or U.S. citizenship

c) The applicant has either participated in a short film or a movie (as an actor or in the production process) or is a film student at a film school.

d) Workshop attendance is free of charge. Participants will cover their own cost for travel, accommodations and meals.

e) The participant agrees to attend all workshop sessions. Upon completion,
participants will receive a certificate of attendance, and their film will be posted on the project’s website.

f) Only individual applications will be accepted – no group applications, please. g) The applicant may bring his/her own camera and equipment.

h) The application form should be completed in full and submitted online.
It can be found athttps://docs.google.com/forms/d/1758Oze0UWvxKIKiBULn32hIApuBQpX67TeBgcoa9NbQ/viewform. If you are selected, your name will be published on the organizers’ website.

i) Along with the application, a film (excerpt) of no more than 2 minutes should be submitted on DVD or as a live stream link. (Selection criteria are the creativity combined with the expressive power of the images in a one-minute time span.)

j) Selected participants will be notified by email on September 20, 2013. On the same day, the list of selected participants will be published.


3MW Collective

We are really excited about 3MW Collective –  created by three Canadian women (Jordan Clarke, Ilene Sova and Rema Tavares) whose mission is to use “visual art to deconstruct mixed-race identity.”  They’re located in Toronto Ontario, but we expect their beautiful and thought-provoking art will soon be seen elsewhere.

Upcoming showings:

  • Location: Brockton Collective Inc, 442a Dufferin St., Toronto, Canada
  • Dates:
    • October 3rd, 2013, 7pm – 11pm (Opening Reception)
    • Open October 4th & October 6th, 2013 by appointment only

Check their website frequently for more events: 3MWCollective.org


Toasted Marshmallows

I love the story of how Marcelitte Failla and Anoushka Ratnarajah met: both were Fellows at the Hemispheric Institute for Performance and Politics’ Emerging Artist Program. In many ways it parallels my own journey in creating more comfortable spaces for Mixed-identified people: through sharing stories I forged relationships that would lead to wonderful projects like Mixed Chicks Chat, the Mixed Roots Film & Literary Festival and now, Mixed Roots Stories!

Marcelitte and Anoushka have teamed up to produce Toasted Marshmallows – a documentary exploring the experiences of Mixed-identified North American women. They’ve already completed a successful Indiegogo campaign (raising well-over their initial goal) and are now participating in a project with the Brooklyn Museum. Check them out and support them and the film in any way you can!

Website: www.ToastedMarshmallowProject.com


A Lot Like You

I had the pleasure of meeting Eliaichi Kimaro when she submitted her feature film, A Lot Like You, to the 2012 Mixed Roots Film & Literary Festival. We unfortunately were  unable to fit this terrific documentary into our lineup that year, but Eliaichi lead a workshop on documentary filmmaking that was very well received.

Synopsis for the www.alotlikeyoumovie.com:

Eliaichi Kimaro is a mixed-race, first-generation American with a Tanzanian father and Korean mother. When her parents retire and move back to Tanzania, Eliaichi begins a project that evocatively examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents.

Kimaro decides to document her father’s path back to his family and Chagga culture. In the process, she struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. Yet as she talks to more family members, especially her aunts, she uncovers a cycle of violence that resonates with her work and life in the United States. When Kimaro speaks with her parents about the oppression her aunts face, she faces a jarring disconnect between immigrant generations on questions of patriarchy and violence.

Here are some upcoming 2013 performance dates (check the website frequently for more!):

October 23:  ALLY screening/lecture events with filmmaker at University of New England(Maine).

October 17 @ 7pm: Director Eliaichi Kimaro will be speaking at Knox College (Galesburg, IL) Event sponsored by the Center for Intercultural Life.

October 15-16:  ALLY screening/panel/lecture events with filmmaker at DePaul University(Chicago), including Laura Kina‘s class on Mixed Race Art and Identity.

October 14:  ALLY screening/lecture at Lincoln Land Community College (Springfield, IL)

October 8 @ 6:30pm:  Vancouver Asian Film Festival presents A Lot Like You screening + discussion w/Director Eliaichi Kimaro.  Alice MacKay room, Vancouver Public Library.

October 2 A Lot Like You screening & discussion w/filmmaker at California State University–San Marcos.  Sponsored by Gender Equity Center and LGBTQA Pride Center.

October 1@ 7pm:  A Lot Like You screening & discussion w/filmmaker at University of Redlands (Orton Center).

September 19 @ 7:30pm:  Director Eliaichi Kimaro will be presenting at the 2013 Critical Ethnic Studies Conference, sponsored by The Institute For Research on Race and Public Policy at The University of Illinois At Chicago.

September 18 @ 7:30pm:  Director Eliaichi Kimaro will speak at Venango College (PA) at the Rhoades Center (following ALLY campus screening on 9/16).